April 2009 Archives

Last week a panel of experts gathered at Phillips de Pury to discuss the ascendancy of toy art, graffiti, and other new forms in the art market.
John Water's show at Marianne Boesky proves the transgressive filmmaker's art can stand on its own.
The issues surrounding art mishandled by the Nazis continues from last week as yet another work is returned to its owner's estate,this time a Jewish...
A new show curated by Hans Ulrich Obrist proves that not all artworks have to be made to succeed.
In his court drama with the AP, street artist Shepard Fairey is trying to show that a zany offense can be the best defense.
Gretchen Ryan's first New York show, at Fred Torres Collaborations, probes the dark side of Little Miss Sunshine.
It's been a week of architectural triumph and art-world turmoil... so let's start with good news. In a surprise announcement, the 2009 Pritzker Prize--the highest...
New Museum's triennial has elicited divided responses from New York's critical establishment.
A show of the post-Impressionist's sunlight-drenched late paintings provides a glimpse of the artist as an aesthetic daredevil.
This week, shifts in the Chinese art market, museums try to lure visitors through the Web, and the Guerrilla Girls go to the Getty.
The New York-based graphic artist's collaboration with Levi's breaks the iconic brand down to the basics.
For Haunch of Venison's first exhibition in its temporary Burlington Gardens location, the Christie's-owned gallery has pulled together a star-studded--and richly macabre--show that shouldn't be missed.
This week, an update on the state of the art business, Chinese art and photography as well and important architectural projects in the works.
Damien Hirst's new edition of paint-splattered decks for Supreme--priced at $88--have sold out in New York, L.A., and online.